Sandro Botticelli's Oil Paintings
	Sandro Botticelli Museum c. 1445 – May 17, 1510. Italian painter.
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Here are all the paintings of Wilhelm Trubner 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
90384		Adler	1888(1888) Medium oil on paperboard Dimensions 52,5 x 74,5 cm cjr
89895		Bootssteg auf der Herreninsel im Chiemsee	1874(1874) Medium oil on canvas Dimensions 41 x 56 cm cjr
91303		Castle Grounds in Lichtenberg in Odenwald	1900(1900) Medium oil on canvas Dimensions 91.5 x 78.5 cm (36 x 30.9 in) cyf
89871		Dame in Grau	1876(1876) Medium oil on canvas Dimensions 106 x 93 cm cjr
89924		Einfahrtsweg zum Stift Neuburg	1913(1913) oil on canvas Dimensions 61,7 x 76,6 cm cjr
91016		Flower Vase	oil on canvas Dimensions 30 x 22.5 cm (11.8 x 8.9 in) cyf
88532		Frau am Chiemsee	1891(1891) Medium Oil on wood Dimensions 37,2 x 26 cm cjr
87348		Gorgonenhaupt	Date 1891(1891) Medium Oil on paperboard Dimensions 58 x 43,5 cm cjr
91302		Lake Starnberg	1911(1911) Medium oil on canvas Dimensions 40 x 50.2 cm (15.7 x 19.8 in) cyf
34022		Landscape with Flagpole	mk87 1891 Oil on canvas 48x65cm Winterthur,Stiftung Oskar Reinhart
54327		Neuburg Gates	mk235 1913 Oil on canvas 62x80cm
38664		On the Sofa	mk138 1872 Oil on canvas 52x45cm
89937		Park Knorr am Starnberger See	1908(1908) Medium Deutsch:English: oil on canvas Dimensions 62 x 75,5 cm cjr
90381		Studie zur Begrubung des deutsches Kronprinzen	1903(1903) Medium oil on cardboard Dimensions 32,3 x 50 cm cjr
87092		Teerosen und Flieder im Glas	Date 1882(1882) Medium Oil on wood Dimensions 23 x 18 cm cjr
91774		Teerosen und Flieder im Glas	1882(1882) Medium oil on panel Dimensions 23 X 18 cm cyf
54312		The Pub on Fraueninsel	mk235 1891 Oil on canvas 48x65cm

Wilhelm Trubner

German, 1851-1917 was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".

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